Social gender equality, no longer sequences in the agenda

In order to support the location of the woman's gender equality in television arrays that are high influencing the society ]]]“Social Gender Equality in theTelevision Arrays”]] project. In Koç Holding’s main sponsorship, the project carried out with the support of four companies was shared with the public at the promo meeting. [[T]]]] [[[T]] [[TUSİAD President Erol Bilecik[[[]] and TUSİAD Gender Equality Working Group President Oya Famous Red]] in the meeting started with opening conversations, conducted under the project [“Social Gender Equality Research in theTelevision Arrays] results and the participation of television sector determined in the workshop determined by the participation of the television sector.“The Principles of Gender Equality for Yours”]. [

In the meeting, writers of the “Social Gender Equality Research” in the “Television Arrays ]]Kadir Has University of Communication Prof. Dr. Irem Slimoğlu []ve]] Associate Professor Akçalı, shared the dramatic results. By:
]]
] - Women's Character in the arrays are located in 80% of unprocessed spaces [
- 92% of homework-based scenes are written for female characters, business-based words and actions are 82% for male characters [
- “Young women” character count, 2.5 times more than male characters
- “such as women” is used as an insult expression for women, even by 62%
- Scenes illicit and sadness are often written for women, such as 73%, brutal and destructive scenes are written for men with 79%


[email protected] Within the scope of the project, five principles were adopted by the goal of gender molds and life in TV series were transferred as follows:
Home Increase the physical appearance of women and men, character, feeling and profession variety, [
Home To Distinction to life, work and homestay, [
Home note to normal violence, [
Home Use a language that suits gender equality, [
Home Ensure and increase the visibility of role model characters.

Social Gender Equality Research Abstract Results in Television Arrays

"Social Gender Equality Research" in the "Television Arrays" under the projectBM Population Fund – We were Meltem from UNFPA, Prof. AaUppercase Dr. Sevda Alankuş, Hasan Deniz from AÇEV, Mehtap Tatar from the UN Female Unit, Prof. Dr. Sevda Alankuş, Istanbul University. Home [email protected]]

The research was made in order to detect the popular arrays published in the national television channels in Turkey, gender patterns and components of the space. For research 1-31 May 2017 ] total from 6 national channels to the reyting rates in this period [[12 array Selected. Based on the main and side characters in each of the four-week sections of the 12 directors TagsThe explosive distribution of men's characters, visibility, age ranges, metdeni situations, physical states, character characteristics, employment and responsibility for home, steps, words and actions]].
[
] According to the argument of theresearch:

Home There is a distribution of female-men main and side characters in total of 12 arrays. [
Home But series stories are divided into women and men-oriented. 7 of the most visible 12 matches were male-focused and the male set up dominant universes. War, conflict and violence in male stories. 2/3 of total visibility in male-oriented arrays belonged to male characters. [[
Home Women's Character are tightened into moulds. The number of young female characters is 2.5 times of the young male character. Male Characters are involved in a pose of age. When the woman, young /adult and weakly, women over the middle age are shown in fat and widow stereotype.
Home Women in the aesthetics of physical properties. 3⁄4 of comments on physical properties are directed to women. 70% of these comments contain positive reviews about the fact that women are "good, well-groomed" and genetic patterns. [
Home Unlike men, the condition of all female characters are known. Dul and divorced female characters, five times more than male characters in the same medeni case. “such as women” is used as an insult expression of 62% even for women.
Home 77% of the characters that have a dreamer, uysal and timid characters, 64% of women; 69% of the characters with vulgar, 62% of aggressive characters. A number of adjectives with feminity and men are regenerated through array characters.
Home For women, like 73 percent of the scenes that arises / hüzün, 79% of the scenes with violence and obstacles are written for men. [
Home Men do not appear in the role of fatherhood. In the steps with parental identity in proportions close to women and men, but the 79% of the scenes taken by the responsibility of being a parent in women, 21% in men. [
] Home The visibility of women in business life is limited. Women's Character are located in places that are 80% of work. One of the 3 women in the role of the housewife. 92% of homework-based scenes in women's characters, work-based words and 82% of actions in male characters. [
[
If the result of the research is alive:
] she is going to work with women and men are connected in total, but the worlds of men and women were skills and the parts are also distributed.
She Both women, and men have stereotype character and actions.
she While there is a representation that regenerates gender mold life in the arrays, it is possible to transform it with the support of sector...